- #Sherlock abominable bride review terrible upgrade
- #Sherlock abominable bride review terrible full
- #Sherlock abominable bride review terrible series
Be that as it may, in the mind palace, Mary is working for Mycroft not because she did so in real life, but because Sherlock last spoke to Mycroft about her. Mycroft might have expressed an interest in Mary's skills. I am pretty sure he made Sherlock tell him why he shot the man, and that's hard to explain without mentioning Mary's story. My favored theory right now is this: Mycroft didn't learn about Mary's background until after Magnussen was dead. Did Magnussen know more about her past than Mycroft and his people? Did Mary, when Mycroft hired her, lie about her criminal record, omit to mention her "rogue" missions and keep silent about whoever she was on a run from? And Mycroft did no background checks on his agent, didn't notice anything strange about her CV? I find that hard to believe. However, if she had Mycroft's support, why did Mary get into such trouble with Magnussen? That bit doesn't make sense to me.
#Sherlock abominable bride review terrible series
If Mary has really worked for Mycroft for a while, that would explain why he seemed so little interested in her in series 3 and why he didn't bother to check her background - he would have known about it anyway. On the plane, Mycroft and Mary chat freely about MI5 security and he doesn't seem a bit surprised by her hacking skills. Now in The Abominable Bride, Sherlock imagines her as just that - although the person Mycroft really wants Mary to look after there is Sherlock himself. I remember how after series 3, several people speculated that Mary could be an agent of Mycroft's, originally sent out to keep an eye on John. I think I'll try to go over the characters one by one: I thought I'd make a new thread to discuss this, even though we've already been talking about it in some of the other threads.
Although Game of Thrones might have been the first TV series to be re-mixed in Dolby Atmos, Sherlock is the first to be originally mixed in the format and it definitely pays dividends adding to the overall viewing experience and ushering in a new era of TV production.So, I've been thinking a lot about the Sherlock characters and what the special might tell us about them.
In fact the sound design plays an important part within the story itself and is frequently used for scene transitions sometimes in a very obvious way and other times in a more subtle way that might be missed on a first viewing.
There are plenty of bass moments that punctuate the narrative whilst the use of surround effects is just as impressive.Ī scene where the disembodied voice of 'The Bride' moves around the entire 360 degree soundstage is highly effective and the sound designers also take advantage of the overhead speakers to immerse you in the period drama. Whilst the musical score is equally as well rendered, filling out the front soundstage and often moving to the sides and above as well. The all-important dialogue remains anchored to the front three channels and is both clear and well balanced. Sherlock has always had a very active and decidedly amped up sound design and this new mix takes it to the next level.
#Sherlock abominable bride review terrible full
Steve Withers reviewed the audio using a 7.2.4-channel Dolby Atmos setup - Sherlock: The Abominable Bride was mixed in Dolby Atmos for a countrywide cinema screening, that was held simultaneously with the BBC1 broadcast, and the sound designers have taken full advantage of their new toy box.
#Sherlock abominable bride review terrible upgrade
Beyond the impressive video presentation, Sherlock gets an Atmos upgrade this time out.
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